=== WordPress Importer === Contributors: wordpressdotorg Donate link: https://wordpressfoundation.org/donate/ Tags: importer, wordpress Requires at least: 5.2 Tested up to: 6.4.2 Requires PHP: 5.6 Stable tag: 0.8.2 License: GPLv2 or later License URI: https://www.gnu.org/licenses/gpl-2.0.html Import posts, pages, comments, custom fields, categories, tags and more from a WordPress export file. == Description == The WordPress Importer will import the following content from a WordPress export file: * Posts, pages and other custom post types * Comments and comment meta * Custom fields and post meta * Categories, tags and terms from custom taxonomies and term meta * Authors For further information and instructions please see the [documention on Importing Content](https://wordpress.org/support/article/importing-content/#wordpress). == Installation == The quickest method for installing the importer is: 1. Visit Tools -> Import in the WordPress dashboard 1. Click on the WordPress link in the list of importers 1. Click "Install Now" 1. Finally click "Activate Plugin & Run Importer" If you would prefer to do things manually then follow these instructions: 1. Upload the `wordpress-importer` folder to the `/wp-content/plugins/` directory 1. Activate the plugin through the 'Plugins' menu in WordPress 1. Go to the Tools -> Import screen, click on WordPress == Changelog == = 0.8.2 = * Update compatibility tested-up-to to WordPress 6.4.2. * Update doc URL references. * Adjust workflow triggers. = 0.8.1 = * Update compatibility tested-up-to to WordPress 6.2. * Update paths to build status badges. = 0.8 = * Update minimum WordPress requirement to 5.2. * Update minimum PHP requirement to 5.6. * Update compatibility tested-up-to to WordPress 6.1. * PHP 8.0, 8.1, and 8.2 compatibility fixes. * Fix a bug causing blank lines in content to be ignored when using the Regex Parser. * Fix a bug resulting in a PHP fatal error when IMPORT_DEBUG is enabled and a category creation error occurs. * Improved Unit testing & automated testing. = 0.7 = * Update minimum WordPress requirement to 3.7 and ensure compatibility with PHP 7.4. * Fix bug that caused not importing term meta. * Fix bug that caused slashes to be stripped from imported meta data. * Fix bug that prevented import of serialized meta data. * Fix file size check after download of remote files with HTTP compression enabled. * Improve accessibility of form fields by adding missing labels. * Improve imports for remote file URLs without name and/or extension. * Add support for `wp:base_blog_url` field to allow importing multiple files with WP-CLI. * Add support for term meta parsing when using the regular expressions or XML parser. * Developers: All PHP classes have been moved into their own files. * Developers: Allow to change `IMPORT_DEBUG` via `wp-config.php` and change default value to the value of `WP_DEBUG`. = 0.6.4 = * Improve PHP7 compatibility. * Fix bug that caused slashes to be stripped from imported comments. * Fix for various deprecation notices including `wp_get_http()` and `screen_icon()`. * Fix for importing export files with multiline term meta data. = 0.6.3 = * Add support for import term metadata. * Fix bug that caused slashes to be stripped from imported content. * Fix bug that caused characters to be stripped inside of CDATA in some cases. * Fix PHP notices. = 0.6.2 = * Add `wp_import_existing_post` filter, see [Trac ticket #33721](https://core.trac.wordpress.org/ticket/33721). = 0.6 = * Support for WXR 1.2 and multiple CDATA sections * Post aren't duplicates if their post_type's are different = 0.5.2 = * Double check that the uploaded export file exists before processing it. This prevents incorrect error messages when an export file is uploaded to a server with bad permissions and WordPress 3.3 or 3.3.1 is being used. = 0.5 = * Import comment meta (requires export from WordPress 3.2) * Minor bugfixes and enhancements = 0.4 = * Map comment user_id where possible * Import attachments from `wp:attachment_url` * Upload attachments to correct directory * Remap resized image URLs correctly = 0.3 = * Use an XML Parser if possible * Proper import support for nav menus * ... and much more, see [Trac ticket #15197](https://core.trac.wordpress.org/ticket/15197) = 0.1 = * Initial release == Frequently Asked Questions == = Help! I'm getting out of memory errors or a blank screen. = If your exported file is very large, the import script may run into your host's configured memory limit for PHP. A message like "Fatal error: Allowed memory size of 8388608 bytes exhausted" indicates that the script can't successfully import your XML file under the current PHP memory limit. If you have access to the php.ini file, you can manually increase the limit; if you do not (your WordPress installation is hosted on a shared server, for instance), you might have to break your exported XML file into several smaller pieces and run the import script one at a time. For those with shared hosting, the best alternative may be to consult hosting support to determine the safest approach for running the import. A host may be willing to temporarily lift the memory limit and/or run the process directly from their end. -- [Support Article: Importing Content](https://wordpress.org/support/article/importing-content/#before-importing) == Filters == The importer has a couple of filters to allow you to completely enable/block certain features: * `import_allow_create_users`: return false if you only want to allow mapping to existing users * `import_allow_fetch_attachments`: return false if you do not wish to allow importing and downloading of attachments * `import_attachment_size_limit`: return an integer value for the maximum file size in bytes to save (default is 0, which is unlimited) There are also a few actions available to hook into: * `import_start`: occurs after the export file has been uploaded and author import settings have been chosen * `import_end`: called after the last output from the importer import { Heading, Text } from '@elementor/app-ui'; import ConditionsProvider from '../../context/conditions'; import { Context as TemplatesContext } from '../../context/templates'; import ConditionsRows from './conditions-rows'; import './conditions.scss'; import BackButton from '../../molecules/back-button'; export default function Conditions( props ) { const { findTemplateItemInState, updateTemplateItemState } = React.useContext( TemplatesContext ), template = findTemplateItemInState( parseInt( props.id ) ); if ( ! template ) { return
{ __( 'Not Found', 'elementor-pro' ) }
; } return (
{ { __( 'Where Do You Want to Display Your Template?', 'elementor-pro' ) } { __( 'Set the conditions that determine where your template is used throughout your site.', 'elementor-pro' ) }
{ __( 'For example, choose \'Entire Site\' to display the template across your site.', 'elementor-pro' ) }
history.back()} />
); } Conditions.propTypes = { id: PropTypes.string, }; Intricate_patterns_and_spin_granny_unlock_timeless_textile_artistry – App do Ben

Intricate_patterns_and_spin_granny_unlock_timeless_textile_artistry

Compartilhe essa notícia

Intricate patterns and spin granny unlock timeless textile artistry

The art of textile creation has a long and storied history, evolving from basic necessity to intricate expressions of culture and personal style. Techniques passed down through generations continue to inspire contemporary artists and craftspeople. Among these time-honored methods, the concept of a “spin granny” – often referring to a technique involving spinning wool or fiber – represents a fascinating intersection of tradition, skill, and the creation of uniquely textured fabrics. This practice, deeply rooted in rural communities, offers more than just a way to produce yarn; it's a connection to heritage and a celebration of handmade artistry.

The appeal of handcrafted textiles is experiencing a resurgence as individuals seek authenticity and a departure from mass-produced goods. There's an inherent beauty in the imperfections and variations that arise from manual processes, imbuing each piece with a character that cannot be replicated by machines. The resurgence of interest in sustainable practices also contributes to this trend, with a greater appreciation for locally sourced materials and environmentally conscious production methods. The techniques behind creating these fabrics, like the core principles of a “spin granny” approach, are once again finding new audiences eager to learn and participate in the creation of their own textiles.

The Historical Roots of Hand Spinning

Hand spinning, as a craft, predates the industrial revolution by millennia. Archaeological evidence suggests that humans were spinning fibers into thread as early as the Paleolithic era, initially utilizing simple hand-held spindles. These early spinning tools evolved over time, leading to the development of more complex devices like the spinning wheel in the Middle Ages. Historically, spinning was predominantly a domestic activity, primarily carried out by women and central to household economies. Communities relied on the skills of these spinners to supply the materials for clothing, bedding, and other essential textiles. The knowledge wasn't merely technical; it was imbued with social significance, often passed down through families as a cherished tradition. Stories, songs, and social interactions were woven into the process, creating a vibrant cultural space around the act of spinning.

The Role of Regional Variations

Across different regions, unique traditions and techniques developed in relation to the available fibers and local needs. For example, the types of wool used, the methods of preparing the fleece, and the specific designs incorporated into the spun yarn varied significantly. In some areas, particular spinning techniques were associated with specific social statuses or ceremonial purposes. These regional variations highlight the adaptability and resourcefulness of spinners throughout history. The concept of a “spin granny”, a master of the craft and keeper of local techniques, embodies this regional knowledge. The skills maintained within these communities represent a priceless cultural inheritance that is thankfully being preserved and revitalized today.

Fiber Type Common Spinning Technique Geographical Region Typical Use
Merino Wool Worsted Spinning Australia, New Zealand Fine clothing, blankets
Shetland Wool Woolen Spinning Scotland Warm garments, lace shawls
Alpaca Fiber Semi-worsted Spinning Peru, Bolivia Luxury textiles, outerwear
Cotton Ring Spinning India, Egypt Lightweight fabrics, clothing

The resurgence of interest in heritage breeds of sheep and other fiber-producing animals also directly impacts the practice. Preserving these breeds ensures the continuation of diverse fiber qualities, which, in turn, can inspire innovative spinning techniques and keep historical traditions alive.

Modern Interpretations and Techniques

While the fundamental principles of hand spinning remain consistent, contemporary spinners are exploring a wide range of innovative techniques and materials. Modern spinning wheels offer greater precision and efficiency, allowing spinners to create consistently fine and even yarns. Beyond traditional wool, spinners are experimenting with plant-based fibers like linen, hemp, and bamboo, as well as exotic materials such as silk and alpaca. The influence of art and design is also evident, with spinners incorporating intentional textures, color gradients, and unusual fiber blends into their work. This trend signifies a move away from purely functional textiles towards artistic creations that express individual creativity. The spirit of innovation keeps the tradition alive, adapting it for contemporary aesthetics and uses.

Exploring Different Spinning Methods

Several different methods of spinning cater to varying preferences and desired yarn characteristics. Worsted spinning, for instance, produces a smooth, strong yarn ideal for durable fabrics. Woolen spinning, on the other hand, creates a loftier, warmer yarn suited for knitwear and blankets. Flick spinning is a quicker, more rustic approach, resulting in a textured yarn with a handmade appearance. Each method requires a specific set of skills and yields a distinct aesthetic. Understanding these nuances allows spinners to tailor their approach to achieve the desired outcome. Learning these contemporary uses of techniques like a “spin granny” approach expands the craft’s potential.

  • Drop Spindle Spinning: A portable and traditional method using a simple spindle.
  • Spinning Wheel: Offers greater speed and consistency in yarn production.
  • Electric Spinner: A modern tool providing precise control over yarn thickness and twist.
  • Plying: Twisting two or more single strands of yarn together for strength and texture.
  • Navajo Plying: A method of plying that creates a chain-like yarn with unique characteristics.

The accessibility of online resources, workshops, and spinning communities has also played a significant role in promoting the craft. Spinners can now easily connect with others, share knowledge, and learn new techniques regardless of their location. This collaborative environment fosters creativity and ensures the continued evolution of hand spinning as an art form.

The Sustainability Aspect of Hand Spinning

In an era of increasing environmental awareness, the sustainable nature of hand spinning is a major draw for many practitioners. Hand spinning relies on renewable resources like wool, cotton, and other plant-based fibers, reducing dependence on synthetic materials derived from fossil fuels. Furthermore, the process typically involves minimal energy consumption, particularly when compared to industrial textile production. Locally sourced fibers further minimize the carbon footprint associated with transportation. By choosing to spin their own yarn, individuals can actively participate in a more ethical and environmentally responsible textile supply chain. This conscious approach not only benefits the planet but also supports local farmers and artisans. The mindful approach often associated with a “spin granny” ethos extends to the sourcing of materials and the slow, deliberate process of creation.

Reducing Textile Waste

Hand spinning allows for a more mindful approach to textile consumption. It encourages individuals to repair and repurpose existing garments rather than discarding them. Leftover yarn can be used for smaller projects, minimizing waste. The practice also fosters a deeper appreciation for the value of textiles, leading to more considered purchasing decisions. The emphasis on quality and durability inherent in handmade items contrasts sharply with the fast-fashion industry's emphasis on disposable trends. It's a return to a philosophy of "make do and mend", promoting a more circular economy and reducing the amount of textile waste ending up in landfills.

  1. Source fibers from local farms or sustainable suppliers.
  2. Repair and repurpose old garments and textiles.
  3. Use natural dyes for coloring yarn.
  4. Minimize waste by utilizing leftover fiber.
  5. Choose long-lasting, high-quality materials.

The environmental benefits extend to the dyes used in spinning. Natural dyes, derived from plants, insects, and minerals, offer a sustainable alternative to synthetic dyes, which can contain harmful chemicals. Experimenting with natural dyeing techniques adds another layer of creativity and connection to the natural world.

The Therapeutic Benefits of Spinning

Beyond its artistic and sustainable qualities, hand spinning offers a range of therapeutic benefits. The repetitive motions involved in spinning can be remarkably calming and meditative, providing a welcome respite from the stresses of modern life. The focus required for the task encourages mindfulness and a sense of presence. Many spinners report experiencing a feeling of flow – a state of complete immersion and enjoyment – while engaged in the process. This can contribute to reduced anxiety, improved mood, and a sense of overall well-being. The tactile nature of working with fibers also provides a grounding sensory experience. The gentle rhythm of the spinning wheel or spindle can be soothing and restorative.

Furthermore, the sense of accomplishment derived from creating something beautiful and functional with one's own hands can boost self-esteem and confidence. Spinning can be a social activity as well, with spinners often gathering in groups to share tips, techniques, and camaraderie. This social interaction can combat feelings of isolation and provide a sense of belonging. The act of sharing knowledge and skills also fosters a sense of purpose and connection to a larger community.

The Future of Hand Spinning and Textile Arts

The future of hand spinning appears bright, driven by a growing appreciation for craftsmanship, sustainability, and mindful living. The integration of technology, such as online platforms for sharing knowledge and selling handmade goods, is making the craft more accessible to a wider audience. There’s a clear movement toward fostering inclusivity within the textile arts, encouraging participation from diverse backgrounds and skill levels. The increased focus on sustainable fashion will likely continue to fuel demand for locally sourced, handmade textiles. The techniques taught by generations of ‘spin grannies’ are finding new life in modern designer creations, and maintaining that knowledge is crucial.

We can anticipate seeing more innovative uses of fiber, exploring new textures, colors, and functionalities. The exploration of natural dyes and sustainable materials will become increasingly prevalent. The trend towards slow fashion and mindful consumption will further empower artisans and consumers to prioritize quality, durability, and ethical production. The preservation of traditional techniques, alongside the embrace of modern innovation, will ensure that the art of hand spinning continues to thrive for generations to come, offering a tangible connection to our past and a hopeful vision for a more sustainable future.